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By Marcus K. Harmes

Although it began as a British tv exhibit with a small yet committed fan base, Doctor Who has grown in recognition and now appeals to audiences around the globe. within the fifty-year background of this system, Doctor Who’s manufacturers and scriptwriters have drawn on a dizzying array of literary assets and inspirations. parts from Homer, vintage literature, gothic horror, swashbucklers, Jacobean revenge tragedies, Orwellian dystopias, Westerns, and the novels of Agatha Christie and Evelyn Waugh have all been woven into the material of the sequence. One well-known storyline from the mid-1970s was once rooted within the Victoriana of authors like H. Rider Haggard and Arthur Conan Doyle, and one other was once a digital remake of Anthony Hope’s The Prisoner of Zenda—with robots!

In healthcare professional Who and the paintings of variation: Fifty Years of Storytelling, Marcus Harmes appears to be like on the show’s widespread exploration of alternative resources to create memorable episodes. Harmes observes that edition in Doctor Who is not only an issue of shifting literary works to the display, yet of bringing a range of texts into discussion with the proven mythology of the sequence in addition to with longstanding technological know-how fiction tropes. during this procedure, unique tales usually are not simply resituated, yet reworked into new works. Harmes considers what this strategy unearths approximately model, tv construction, the paintings of storytelling, and the long term luck and cultural resonance loved by way of Doctor Who.

Doctor Who and the paintings of Adaptation can be of curiosity to scholars of literature and tv alike, and to students attracted to model stories. it is going to additionally attract enthusiasts of the sequence attracted to tracing the deep cultural roots of television’s longest-running and such a lot literate science-fiction adventure.

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Doctor Who and the Art of Adaptation: Fifty Years of Storytelling (Science Fiction Television) by Marcus K. Harmes

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