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By Fiona M. Palmer

Drawing on many archival findings, this e-book considers the rising functionality and standing of orchestral conductors in Britain, and the character of the possibilities to be had to them, from the overdue Victorian period until eventually the outbreak of worldwide warfare I. It does so by means of reading and evaluating the profiles and impression of 8 males whose paintings provided the desires of quite a few associations around the interval yet whose major contributions have been overshadowed by means of the emergence of virtuoso interpreters. The carrying out actions of Julius Benedict, William Cusins, Joseph Barnby, Arthur Sullivan, Frederic Cowen, Alexander Mackenzie, Dan Godfrey and Landon Ronald supply a lens during which the evolution of engaging in as a career is traced. on the British Empire's top their paintings was once formed through and enriched the cultural lifetime of the state. in the course of a interval of extreme job and improvement, their portfolios of engagements and dealing styles make clear the infrastructures in the track company. by means of concentrating on the fortunes and enterprise of conductors resident in the market, this booklet deepens our realizing of the inner networks, affects and priorities inside musical lifestyles in Britain within the past due 19th century.

FIONA M. PALMER is Professor of track on the nationwide collage of eire Maynooth.

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Conductors in Britain, 1870-1914: Wielding the Baton at the Height of Empire (Music in Britain, 1600-2000) by Fiona M. Palmer


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